47 In 46: Spinning Wheel

It’s odd that, as a huge music snob (in stature versus size) I would not have known of this before, but when my friend recommended it to me, I just had to jump on board. I don’t know what it’s called in actuality, but the idea is to post on your social media weapon of choice a song a day for as many years as you’ve been alive, with enough such days allocated as to take you up to your actual birthday. I found out about the exercise 2 days prior to my day of birth, and jammed out all 47 tracks within that time, and through more than several cocktails.

Again, maybe I was wrong in this, but I had thought that you were supposed to, for each year represented, choose a song released within that year, only it if it said something about your life in that time. And that’s what I did. It wasn’t too long after that I realized I could write a little story for each song selection here as well. And that is exactly what I am doing now.

Starting today, 1969. With Blood, Sweat and Tears.

I hope you enjoy…

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“What goes up,

Must come down…”

Story of his life, that lyric would end up being, but at that moment Teddy was far too young to know that. In fact, at that very moment, as the song lilted above the din of his mother’s prepping dinner, Teddy didn’t even know what the song’s story was about. The spinning wheel and painted pony he imagined were not connected at all, and in no way ever coagulated in his mind as the Ferris Wheel that everyone else surely would have envisioned.

He didn’t like the song for this reason. It confused him, and he loathed feeling confused, in part because it was a feeling he had far too often. He didn’t like the song, so he ignored it, opting instead to sit quietly at the kitchen table while he slowly rolled the slice of salami that served as his pre-dinner snack. The salami rolling was ritualistic, though if he ever took the time to determine what ever started it, he would have never come to an answer. It worked something like this: he would first fold each slice in half, secretly rejoicing in the grease that oozed onto his oft times dirt-stained fingers in the process. After folding thusly, he would then roll the slice into itself clockwise until it became a fattened cone shaped morsel. And, being highly anally attentive, he would then confirm that on the open end of the cone all the rolled layers of his creation were somewhat equal, without instances of too many dips or valleys between them. If the symmetry was not evenish, he would unroll disgustedly and start again. Only when it looked “just right” would he plunge his teeth greedily into the whole unholy mess, destroying his carefully crafted creation within two swift bites.

“Ride a painted pony,

Let the spinning wheel flyyyyyyyyy…”

The damned song continued on. The deep, knowing baritone of the singer making Teddy feel even more inadequate in his adolescent confusion on the subject matter. He dismissed the sound again while methodically munching on his meat, imagining instead that he was able to make himself very small. Small enough in fact as to clamber under the same baseboard as the ants he had been observing doing so industriously at that moment. Once under there he imagined he would find a new world, one safe from harm. A world where he would matter, maybe even become king of the ants, or at least find others who also were like him, others who wouldn’t hurt him.

Teddy did this a lot, running away in his imagination to places where he mattered, places where he would fit in, and not get picked on or beat up. Places where he could be a king or a hero. Years later, Teddy would meet his Rosetta Stone of such diversionary tactics in a little remembered sci-fi movie he saw, wherein a lonely boy becomes a solitary star fighter that saves the universe. The whole entire universe; even the people that used to beat on him. And then, oh boy, are they ever sorry that they ever treated him that way!

But that would be a story for another time – a sadder, post-pubescent story, long after Teddy had become – rather against his will – Ted.

“Ted. Ted? Teddy!”

His mother jolted him from his reverie while saying, “Honey, you have to go and get cleaned up. Daddy will be home soon, and you know how he wants his dinner the minute he walks in. Now come on, off with you, scoot!” She shook her head, to herself wondering what had been going on in that little head of his this time, and why his look was always so serious and far off distant.

Leaving the table without complaint while smudging it’s laminate surface with greasy dirt, Teddy noticed that while the song had changed, it was the same band, now that other one, the one wherein the singer warbled, “you make me so, very happy…” Years later, Ted would be a Sometime DJ in an All-The-Time Clubland World, and he would firmly rail against ever playing the same band twice in a night, let alone literally in an amateurish back-to-back fashion like that. It may have even been this very experience that gave him the fodder to form this belief. But again, at that moment Teddy was far too young to know that. At that very moment in fact, Teddy didn’t even know what his song’s story was to be about.

Dreams Past

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I fell into a dream.

A dream that decided to make unto itself a nightmare for both herself and I.

But like all nightmares, it has proven to be simply an inconsequential mental exercise which simply serves to make of me a better me. A thing to learn and grow from, and to never return to afterwards.

And as all nightmares go, this one too can not last forever.

I fell into a dream, but now the daylight beckons, the nightmare is almost complete.

And I will be able to dream again, once it is finally over

Briefly… My Last 100 Words

Is this my last post? I can’t really tell, but I do know that I couldn’t leave without visiting – at least just once more – the beautiful skies of our 100 Word Song:

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M’desk is standing-height. I wanna crawl underneath it, to hide from Him.

I wanna crawl underneath, but it’s too high, providin’ no space small enough to feel safe.

I wanna crawl underneath, despite His sayin’ that everything’s finally becoming as it shoulda always been… as it never coulda been till now.

I crave to crawl underneath, as His reassurances only cause to pain me more.

My wings’re becoming unbound. Stretchin’, flexin’, impatient to be tried. Not on m’own account, but simply cuz the time is Now.

I wanna crawl underneath. But doing so’s pointless, tain’t nothing can hamper my Flight now…

•••

Windows…

He sits there, drink in one hand, small unseen food product in the other.

I know it’s food, because he holds it gingerly, like it means something more than the size of it would normally let on. He sits in his chair, chewing. Possibly peanuts. Not to be confused with a food-chewing analytical expert, but to me his mouth definitely did seem to swish in the sort of fashion that you’d think it would, had he been chewing on nuts.

Anyway. He sits, eyes casually glued to what turns out to be a television screen. And he does so while she leaves, seemingly unnoticed, from the room. Walking briskly away in her white blouse and black slacks. A look very similar to what you’d expect Bebe Neuwirth to wear on the set of “Frasier,” though this specimen is NO Bebe Neuwirth. No bother, neither am I. Neither are any of us, really.

Mmmm, Bebe.

But alas, I digress.

So he sits and chews, as she sashay’s from the room. And though the poetician in me wants to say that the two were in perfect sync and beat with each other, for whatever reason they were not. And that, my friends, is all the story that there is to tell. Are they happy? Are they sad? Are they in love with each other? In love with someone(s) else? I’ve no idea. I only spy them through their front bay window and make a mental note as I pass along.

Another bay looms into view as I stroll along. It’s a very Polish town, Buffalo, and many of the post-war “cookie cutters” reside here, all storeys single, all front windows bay. Maybe for ambiance, maybe for budget. Maybe just for passersby to have a tale to tell. But this second window provides none. The lights are all lit, but oddly. That weird sort of odd, where the owner was trying to leave just enough on to connect one room to the other, in an effort to traverse them when sauced. But not so many on as to blow their National Grid bill while they were out, getting sufficiently loaded for the experience.

The third looks similar, but buried deep within the kitchen – oh yes, in these houses, every room is viewable from the bay – is a woman hurriedly speaking on the phone. I don’t know if it’s a sign of the times, but I do notice that something is wrong with the phone. Wrong, but right. And then I see it – she’s wrapping her finger round the phone’s cord.

A cord!

Have I stumbled upon the Smithsonian? No, just a person who knows better than to believe every advertiser who says that your way is dead and the next way is king. She’s wringing the cord like she’s nervous as she speaks anxious-eyed into the phone. Is she? I’ll never know, as I’ve already passed her by.

The final window I look into shows no communication, no companionship whatsoever. I suppose you could say, the sort of window I fear of one day owning myself. In it, is just one elderly woman, sitting alone in a televisonless, phoneless, and decidedly Bebe Neuwirthless room. Spilling over her comfy chair almost as if she and it are slowly morphing into one. I would normally compare her to a sloth, but honestly, I can’t think of a single sloth that has ever looked so forlorn. So alone. She sits, looking into her lap at something. Looking into her lap at nothing. If not rejoicing over avoiding It so long, hoping that Death would hurry up and come already. And in either case, dreading what she’ll offer It to drink when It finally arrives. The bleak scene deadens me as well.

So I continue on.

I continue on, but decide that my window-gazing is done for the night. Their stories will be forever unknown to me anyway, and I’m a mere shadow to them. A whitened-shave legged aging ghost walking in an effort to stay attractive to no one in particular at the moment. A wanderer who knows the path all to well from taking it almost every single night, though finding something new on each and every pass. A nobody who is only noticed – if at all – by the cloud-covered moon hovering brightly above. A moon that most likely sees – should he be paying attention – only a spindly armed pot-bellied dreamer peeking into worlds that he really shouldn’t be visiting in the first.

I continue on and am able to avoid what – had I still been window-gazing, would have surely stepped upon – a colony of ants. I spy them as they all toil furiously, together and in earnest. In one big and shameless heap of achievement. And I wonder, are they like that because they are not as smart as us, or are they like that because a long time ago, they in their wisdom decided to refuse to build windows?

Windows that would have kept the outside world outside, windows that would have kept them trapped?

Windows that would have allowed each to look into – ever-so slightly – each other’s souls?

•••

A Mother’s Love…

Troy,

I read your “As Long As I’m Singing.” It really moved me (as all your writings do.) You truly have a God-given gift to share your thoughts in a mind-provoking way!

I hope you continue to write and share with the world. It would be nice if you could get your works published. Please don’t pooh-pooh the idea. Give it lots of thought.

Love & very proud,

Mom

•••

I’ve been delinquent with this blog as of late. And I apologize. I’ve been delinquent even with responding to comments – a much larger sin than the first, if you ask me – and I am sorry for that as well.

My life – after a long dry spell of being emotionally bullied, financially destitute, and legalistically put-upon, is at long last coming ’round that damned dark corner and back into the Light. I need to start sharing that, and I need to do so here.

Sans pooh-poohing, of course.

Thanks for your patience. I love you all more than you maybe know,

t

Living Our Dream

Second week in a row for my 100 Word Song and Light And Shade mash-up. They both had a very similar spirit, and I hope I was able to capture it correctly…

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Shrugging the tuxedo jacket on gingerly, Val noticed the smallest of sections was threadbare. None would notice, but this coming-out party was important for Pat, and Val felt everything should be perfect.

Pat didn’t care though, and remained delighted that they’d been able to even find Val a vintage suit correctly sized. Smiling while pulling stockings over freshly-painted nails, Pat decided that optimism was the magnet to pull them through this night, this life, together.

Opening the car door for her – as gentlemen do – Pat waited until Val buckled, before anxiously closing it. Tonight was to be special, and he couldn’t wait to start.

•••

Light & Shade Challenge:

Optimism is like a spiritual magnet 

– Anna Massey

100 Word Song Prompt:

A One-way Conversation

A smattering of a truncated thought. A portion of a one-way conversation, held in 100 words or less. The last remnant of a topic that no longer needs be discussed, here or elsewhere. Inspired by a reality more surreal than fiction, my latest prompt mash-up – this one being between 100 Word Song and Light and Shade Challenge.

As always, I hope you enjoy… 

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“I’ll always love you.”

A white lie, one eventually bloomed to black.

“Whatever. You never listened to me.”

Listened? My very life was a response to your words.

“I wanted you to be free.”

Than why’d you cage me?

“Shut. Your. Mouth! Without me, you’d have crashed.”

With you, I did.

“I’m doing this for you.”

More white lies, a wedding cake’s full.

“I know you’re ‘unhappy…’”

This isn’t going to make me so.

I know you’re gay!

It wasn’t me who left our marriage-bed for another man.

“Whatever. I’ll always love you.”

A white lie. One no longer worth holding true.

•••

Light And Shade Prompt:

She tells enough white lies to ice a wedding cake – Margot Asquith

100 Word Song Prompt: